(Robert Bresson, Notes on Cinematography, 19)
To improvise is to risk failing to produce a complete spectacle, a developed idea, artistic or otherwise.
To document an improvisation is, then, an attempt to give it a finished form.
Modelling is therefore shapeless, lacking a model. This does not mean boneless. It tunes itself to spatial needs, becoming something other than it first was, like an improvised performance (musical or otherwise). Improvised music runs through the film's different stages, and we are open to sharing it in different forms.